Author Archives: Rossman In Your Head
The Artist
The Artist
Beware all you filmmakers and sound editors out there when watching and listening to the first 20 minutes of The Artist. (I actually stopped a theater employee walking by and asked if all the soundtracks were functioning.) Most of the time cards would appear to express the characters’ dialogue. Some dialogue did not have cards.
We’re trained to hear separate soundtracks; music, sound, effects and oh, yes, dialogue. I knew very little about this movie going into it. I did not expect a movie with John Goodman, Malcolm McDowell and James Cromwell to have basically no dialogue. About 98% of the ‘film’ is literally ‘silent.’ This black and white throwback to the late 1920’s expresses how glorious film was in its time. Talkies arrived.
Suddenly, it was “Out with the old and in with the new.”
It’s nice to see that The Artist was filmed on 35mm Kodak film negative. My very first film was shot with the same gorgeous black and white film negative at film school in 1994. It goes without saying, the cinematography was breathtaking. And now with Kodak filing for bankruptcy how long will film survive?
The Artist was a good love story as many old films are. It’s nominated for Best Picture, Best Director Michael Hazanavicius, Best Actor in a Leading Role for Jean Dujarden, Actress in a Supporting Role for Berenice Bejo, Best Cinematography for Guillaume Schiffman, Best Editing for Anne-SophieBion and Michael Hazanavicius, Best Art Direction and Costume Design.
I liked it.
Tesla

Tesla @ HOB
TESLA
California hard rockers, Tesla, named after the famous inventor, Nikola Tesla, has reinvented itself over the years. Their risky move in the 90’s to strip down their electric guitars and play acoustically transformed the music business and inspired a generation of rockers ‘unplugging.’ Their current tour is in support of their latest album, “Twisted Wires and the Acoustic Sessions,” released in 2011 with some acoustic remakes of their earlier songs and a few brand new songs like “Second Street” and “Better Without You.”
HOUSE OF BLUES

Chad Plummer
Tesla played a very packed House of Blues Saturday, January 7, 2012.
With over 25 years of playing their ‘blues metal’ has built a very strong fan-base with a very diverse following; metalheads, hippies and blue-collar types, kids in their 20’s and older fans of 30’s and 40’s. Opening band, Built By Stereo, warmed up the crowd. Tesla played for about an hour and twenty minutes. They had a strong start and a stronger finish. Lead singer Jeff Keith, sporting a football jersey with his name on the back, belted out the hits; “Comin’ Atcha Live / Truckin,” “Heaven’s Trail (No Way Out),” “Modern Day Cowboy” and “Signs.”
The meat of the show was really for diehard Tesla fans as it pertained to lesser-known songs and songs from the new album including “Second Street” and “Better Without You.”
Playing acoustically is an animal all to itself. Some fans prefer the unplugged versions of Tesla’s rock songs while others like the original electric versions. This is not the band I saw over 20 years ago. Their energy was not the same. Mostly, the band sat on stools like any other acoustic jam. Keith got up and walked around a bit to connect with the audience. Guitarists Frank Hannon and Dave Rude showered the crowd with guitar picks. The packed house burst into singing “Love Song.” A pleasant surprise in Tesla’s set was a cover of Led Zeppelin’s “Thank You.”
Chad Plummer was my guest at the show. It was his idea to watch the show near the bar so I could use the bar to lean on when taking notes. Good idea, Chad. If the energy of the show was better I might have moved closer to the stage. I never moved.
Uberschall @ Double Down
Elvis (Lederer) has left the Venetian. The writing on this wall said ‘Shut up and Drink.’ The bar patrons were all mesmerized by the three drummers, two guitarists and one bassist that make up Uberschall, which means ‘supersonic’ in German. This very fitting name may not ring a bell, but the band members are mostly from the current line-up of the Blue Man Group. Uberschall formed in 2000 when the members of Blue Man Group sought out an improvisational and experimental outlet away from the PVC pipes and blue faces. At roughly 12am, the band members strolled into the bar, one by one, setting up their equipment. Guitars were tuned. Drums were hit. The last drummer, Todd Waetzig, arrived to set up.

Soon after, Waetzig started warming up, pounding the drums and setting a rhythm. The two other drummers followed suit as if they were a part of a loud drum circle. The guitarists chimed in and the musicians rode the wave of an improvisational journey not knowing exactly where they would end up. They just felt the music and followed their gut. The music flowed in one direction and at some point went in another direction. The pace slowed down and then picked up. They jammed for about 20 minutes or so and took a short break. The follow-up jam session started out very differently with a slower, mellower pace set by Elvis Lederer, 40’s, the guitarist and the band’s general manager. His soft wailing vibrated throughout the bar like whale sounds, summoning his band mates to find their places. One bar patron started dancing to the wailing sounds and psychedelic vibes. The pace picked up. Drummers pounded into a frenzy. You get a sense that the session is very different every time. Uberschall plays at Double Down on the last Sunday of every month.
Roger Sings Tommy
Tommy can you hear me?
Imagine how many Twitter followers Tommy would have today? A fan from the audience tried to speak with Roger Daltrey towards the end of the show at The Joint in Las Vegas. Roger, or should I say Tommy, could not hear them. He could hear the spirited older crowd in their 40’s, 50’s and 60’s Saturday night, October 22, cheering, singing and dancing the night away.
Roger mentioned that the band playing on stage was definitely not The Who. But Roger was definitely ‘Roger’ as his voice was superb. For someone who’s had voice problems and surgery, Roger brought back Tommy in a glorious rock and roll style.
See Me, Feel Me
Visual effects accompanied Roger and enhanced the story of Tommy, ‘a classic’ Roger said after getting through the entire album. Assuming there’s no teenagers in the audience, Roger wondered about the music and lyrics lasting the test of time. It’s a salute to Pete Townsend and his bandmates of the past; bassist John Entwistle and drummer Keith Moon. Pete Townsend continues to struggle with ear problems.
Roger hinted that they (him and long-time bandmate Pete) were not done yet. That sparked more cheers from the aging crowd. After all, this little tour was originally meant to be one show for charity and was encouraged to tour.


Sally Simpson
I’m Free
Tommy is timeless because of its themes of isolation, acceptance, sexual abuse, murder, religion and more. There are so many levels to Tommy. The story is told so well that it grows on you over time. And the times may change, but those themes remain the same. Even Sally Simpson got an upgrade as the visual effects had her laying on her bed buried in her laptop computer.
Who Are You
The band on stage may not have been The Who, but they sounded great! He may not be his older brother, but Simon Townsend vocally sounds a bit like him, singing all the parts his brother would be singing if present.

Simon Townsend
The Kids Are Alright
Roger lead the band through hits by The Who; “Who Are You,” “The Kids Are Alright,” “Behind Blue Eyes” and “Going Mobile,””Baba O’Reilly,” “My Generation” and ended with “Blue, Red & Grey.” Roger played homage to Johnny Cash playing a medley of songs; “I Got Stripes,” “Folsom Prison” and “Ring of Fire.” It was Roger’s effort to keep another artist’s music alive.

The Who’s music won’t go away anytime soon with the next generation keeping their music alive with acts like Pearl Jam and TV shows like ‘CSI.’ Amazing show!
The following footage I filmed with my little Canon Powershot camera. I wasn’t very close, but you can always zoom in.
Long live rock!
Duran Duran with the Neon Trees

Ross and his notepad. Yes, he is a writer.
September 30, 2011 – The Joint @ Hard Rock Hotel & Casino
The Neon Trees – celebrated an incredible breakout year with their debut album, ‘Habits,’ the flashy Utah-based pop band played through a fun, upbeat set. Wearing a red glitter-covered jacket and a Mohawk, singer Tyler Glen lead the crowd both young and old into rock themes of nostalgia. He spoke about making mixed tapes, mentioned Duran Duran and launched into songs, “1983,” “Sins of My Youth” and their first single, “Animal” which skyrocketed to platinum on Billboard’s Hot 100 in just weeks. The band has had an amazing year, performing at the KROQ Weenie Roast, SXSW and Coachella.
Elaine Bradley pounded the drums, giving an edge to the pop band. Chris Allen, guitar, and Branden Campbell, bass, complete the band’s sacred harmony. A few songs into their set, frontman Tyler Glen said he’ll now ‘Take you to church.’ He’s known for mentioning how ‘music is a sacred act of communion’ for himself and the ‘heart of the band.’

From the nostalgic past, we now take you to the ‘now’ as in ‘All You Need is Now,’ Duran Duran’s 13th studio album, released digitally on December 21, 2010. ‘Now’ sports new songs and lead singer Simon Le Bon sported a new beard. Producer Mark Ronson, an avid Duran Duran fan, revitalized the band’s ‘hunger.’ Drummer Roger Taylor remarked in a press release on the band’s website that Ronson told them to ‘go back and reclaim’ their original sound.
Those screaming female Diehard Duran Duran fans older now still roared as the band entered the stage. They launched into a set of songs old and new. Highlights include: “Planet Earth,” “Rio,” “Come Undone” with back-up singer Anna Ross and “The Wild Boys” as the band mashed the song into Frankie Goes To Hollywood’s “Relax (Don’t Do it).” 
Images and videos screened on the back wall such as silhouettes of Bond girls to “A View To a Kill.” Other special effects appeared on four giant faces above the stage. Matrix-like effects accompanied new song “Blame The Machines.”

Bassist John Taylor, an avid tweeter, encouraged the crowd to tweet, using #duranlive when Simon Le Bon took a break. After thirty years or so, Duran Duran is still a viable and exciting band.

Ross in RAW Awards!

Ross H. Martin screened his short film “The Octo Circus” at the Raw Artists event in Las Vegas. Now you can help him win an award. Voting has begun! There’s a “Vote for me” button on my profile.
Go directly to: Website link no longer connected
Each visitor is required to register first, and are allowed 1 vote per category, per day. Guests can also search for your profile by name, city, category.
The voting is only from Oct 1-17 so vote once a day everyday. The top 3 highest vote earners in each category will be featured artists for the November showcase and could go on to compete for the RAW Artist of the Year and win a prize package! Please help Ross win.
Crosby and Nash
There’s no question who the men were entering the stage at the Mandalay Bay Theater on September 9. They may have been a part of other famous 60’s bands such as The Byrds and The Hollies, but David Crosby and Graham Nash of Crosby, Stills, Nash or CSN & Y (Young) have stood the test of time and expressed a solid stage presence. This dynamic two-time winning Rock and Roll Hall of Fame duo didn’t need lasers or flashy kaleidoscope backgrounds. It was all about their peaceful classic rock music, a homecoming of good vibes and a long time connection with fans. Fans sang with and without encouragement. Some fans clapped while others danced in the aisles.
The duo kept their sense of humor too. When one of the techs entered the stage to make an adjustment, Crosby joked that he’d better get it right or he’ll have to ‘go back to Neil’ (Young). After a fan shouted a request for “Almost Cut My Hair,” Crosby joked about the bald fan not having hair. Nash told the story of how a friend inspired him to write a song in twenty minutes before he left. “Just a Song Before I Go” is about leaving loved ones behind before going back on tour.
The supportive musicians were excellent. James Raymond, the keyboardist, played in rock and R & B bands in his teens before discovering his birth father, David Crosby, in the mid-90’s. Not only have father and son reunited, they’re now playing and touring together. “Don’t Dig Here,” written by Raymond, is about keeping nuclear waste out of the Yucca Mountain in Nevada. No nukes!
Crosby and Nash made everyone feel at home with classics; “Teach Your Children,” “Wooden Ships,” “Our House” and The Byrds “Eight Mile High.”
For article in Vegas Seven Magazine click here.



The Beauty Bar in Las Vegas has the old-fashioned seats that women sit in when getting their hair done, manicure, etc. The one in Vegas feels more like a bar then a nightclub if that makes sense. On Wednesday, August 17th, along with a bunch of local filmmakers, we screened our short films from a projector outdoors onto a screen. I hope the Beauty Bar acquires a newer screen as it had some sort of yellow stain all over. The films all had a unique 70’s look to them especially “The Turnaround,” the only film of the night shot entirely on film. The group of filmmakers praised me for that alone. My film screened last and I was very thankful there were still people in the audience. We had to compete a little with the loud music playing inside the bar as there were bands playing, but you could hear the dialogue fine until the door swung open.
