I’ve been playing Fantasy Football for three years now. In the first few years I had no trouble making the playoffs. I did very well…until the playoffs. That’s when my players all tanked and my teams imploded like Tom Brady and the Tampa Bay Buccaneers losing 9-0 to the New Orleans Saints. No TDs. No points. A big, fat zero. 2021. UGH!
You draft what you think is a solid roster with popular veteran players. You’re filled with hope for a whole new season of Fantasy Football. Being fifth in the draft, I’m pumped for the first round. In most mock drafts, I’m continuously snagging Tennessee Titans star running back Derek Henry. All that changes when the official draft takes place. Someone else grabs King Henry, so I pick Alvin Kamara.
Your Roster Looks Good at least on paper (or the app)
Immediately after your draft you lose one of your running backs to a season ending ankle injury and the season hasn’t started yet. I lose Baltimore Ravens Gus Edwards. So I replace him with Ronald Jones who gives me negative yardage the first week. That just won’t work.
Last year I was fighting for third place in the main playoffs when my opponent had Kamara. Kamara had six touchdowns in one game. So, I figured if I had the chance to pick Kamara up he’d give me some karma. Kamara for karma. Kamara starts out okay, but then gets hurt and I’m without him for four weeks, Weeks 10 – 14.
The Waiver Wire
You hope you won’t be relying on it, but it may be your weekly necessity. You’re trying to figure out who’s producing and who’s not. Sometimes you discover gold. After hearing some hype about Cordarelle Patterson, I pick him up. He’s a great addition as both a running back and wide receiver. He produces consistently until the Falcons stop using him the same way.
Timing is Everything
Sometimes you pick up potentially a fantastic player, but things don’t click for them until after you drop them. Amon Ra St. John is a WR on the Detroit Lions I pick up and play in the Flex position for Week 6. He gives me 7 points. I drop him. He blows up later in the season. I pick him up again. My big dilemma in Week 15 is to play either my “consistent” player, Las Vegas Raiders WR, Henry Renfrow playing the Cleveland Browns or St. Brown against the Arizona Cardinals. I play Renfrow and he gives me 4 points. How many points does St. Brown get? 19.50. By Week 15 Amon Ra St. Brown is the Lions’ go to receiver. It doesn’t matter who the QB is for the Lions, Jared Goff or Tim Boyle. St. Brown is a force of nature.
You should be looking ahead to see what backup players you’ll need before your big players go on bye or it’s bye-bye. Week six is brutal. I will be without Kamara, Patterson and TE George Kittle. So, I pick up Alex Collins and AJ Dillon. And Dalton Schultz ends up being a great pickup as Kittle goes on IR.
Time to Panic?
In Week four, Tom Brady only makes 11 points. What? Not the G.O.A.T.? Well, I panic and play Sam Darnold the following week. Darnold started the season pretty solid. Miami’s defense has been stepping up, so I refrain from playing Brady. Brady ends up with a whopping 37 points. I drop Darnold who reverted to his old ways and woes.
Veterans Not Producing
After a few weeks, I drop Juju Smith-Schuster. A few weeks later I find myself dropping injury-stricken Julio Jones. Julio scored his first touchdown with the Titans and this season in Week 18. 18! Another wide receiver I drafted who drove me to pull out my hair is DK Metcalf. He had a few good games to start, but Russell Wilson had problems finding DK. This connection got worse when Wilson was out with a bad finger. When Wilson returns, they don’t get back on track until Week 17 when I’m out of the playoff picture. DK get three TDs in Week 17. THREE!!!
Don’t Blame the Analysts
Week five. A killer. Not only do I play Darnold over Brady, but I play Van Jefferson over DK Metcalf. My record is 1-3. I’m desperate! Every week I watch and listen to a handful of various fantasy football analysts. My biggest dilemma is playing Van Jefferson or DK Metcalf. Seattle plays the LA Rams, known for having a great defense. This analyst who shall rename nameless suggests that Jalen Ramsey usually covers DK quite well. So, I take this analyst’s advice to sit DK Metcalf and play Van Jefferson instead. Jefferson ends up with only two points. DK has a whopping 24 points! It’s unfortunate.
Any Given Sunday
It’s even more unfortunate that I went off a bit on this analyst. I’m not proud of that. I realize later on that these analysts can only make suggestions on who to start or sit. You can have all the history and stats on players and who they’re playing against, but you sort of have to throw that all out at kickoff. Because it’s any given Sunday or Monday or Thursday. Hell, because of Covid this year we’ve had to endure Tuesday Night Football. In the end, you’re the one starting or sitting players. You can’t predict the mood of the players or radical plays attempted by coaches. This year especially has been incredibly unpredictable. Bad teams beating good teams. When Josh Allen of the Jacksonville Jaguars sacks Josh Allen of the Buffalo Bills, you discover that anything can happen. The impossible becomes possible.
Injuries, Injuries, Injuries
Losing Gus Edwards was an omen for my season. In Week 7, I’m excited to watch the Browns play the Broncos after picking up Donovan Peoples-Jones. But as the start of the game nears, the female broadcaster on the field announces that Donovan has a groin issue and most likely not playing. With a minute before the game starting, I frantically try to switch wide receivers, but the window to make changes has passed and I end up with a goose egg for him. It would be nice if more can be done to alert fantasy managers of players suddenly not playing if there’s time to do so.
Missed Field Goals anyone?
I did not have this issue so much. I used a handful of different field goal kickers. But damn! 2021 was a horrendous year for kickers.
Lucy talks Charlie into kicking the football. After all, the kickoff is a Thanksgiving tradition. Does Lucy have a different interpretation of tradition?
Perhaps players reaching 25 points one week and getting 5 points the next week are not the best players in the long run.
My losses were often by a few points. In our league in 2021, there weren’t many points separating winners from losers. And of course our champion had breakout running back Jonathon Taylor.
Don’t be one of those players who gives up and doesn’t set your lineup! PLAY ON!
That’s the point. Whether you’re losing or winning, find a way to enjoy the chaos, I mean, madness, I mean, the FUN! When I realized I had no chance to even make the playoffs, I shrugged it all off. Oh, well. There’s always next year, right? I had a blast during my Consolidation Semifinal matchup. One of the best reasons to play fantasy football is when your favorite team is one of if not the worst during that season. Oh, Giants. Heal your bodies, brains and your hearts. I may be a NY Giants fan, but I live in Los Angeles. So, it was a lot of fun cheering on both replacement running backs, Sony Michel on the Rams and Justin Jackson on the Chargers in Week 17.
Players Can Impact Lives
Players on your fantasy team can have long lasting effects too. Last season, as I mentioned earlier, my opponent had Alvin Kamara who scored SIX TDs!!!!!! I would need a miracle to come back and win towards the end of that weekend.
My dad was watching the games with me that Sunday, December 27, 2020. He didn’t play fantasy, but knew football and sports in general more than most fans or one-time players. My dad was also the biggest skeptic and/or critic. So, we were watching the Green Bay Packers play the Tennessee Titans. Cooper Kupp may be the best WR this season, but last year Davante Adams was on fire! #1 Wide Receiver! Adams scores a TD at the very start of the game. Great! Now I only needed 5 more TDs. Adams scores again. Huh. My dad’s face lights up. Could there be a smidgen of a chance I could win? My father starts cheering on Adams with me. Adams scores a THIRD TD!!! It wasn’t enough. At least I lose with a closer score and some dignity.
The family has dinner after the game at my parents’ house. My sister’s family is there with her three kids. My father passes away in the early hours of Monday, December 28, 2020.
Cheering on Davante Adams is my last shared experience with my father and I’ll think of him any time Davante Adams plays or is in the news. Players can definitely impact your lives.
This blog is dedicated to my father, Jeffrey Allen Martin.
Some Analysts I Follow
*Originally posted Sep 3, 2020 on another site.
Whole lotta’ streaming going on! Film Grove is a new company by Rayna Booker and Charmaine Clark seeking aspiring filmmakers to submit their films for a film festival competition. Filmmakers will share in the revenue as their films stream on the channel. Their mission is to add more diversity to the film and television industry. Film Grove looks to fill their online presence with up-and-coming filmmakers, especially women of color.
In the spirit of recent events, here is a wonderful collection of Vintage Black Films already streaming on the Film Grove channel. Some of these treasures have historical significance. “The Joe Louis Story” and “The Jackie Robinson Story” are about two sports legends that changed the look of sports forever.
“The Joe Louis Story,” starring Cole Wallace reminds us what a giving individual Joe Louis was. At first, Louis was taking violin lessons until someone pointed out he was built to box. His family supported his passion for boxing. Joe Louis quickly became a contender, but often bought meals for everyone.
Unfortunately, Louis wasn’t very good at keeping track of his finances and often found himself in debt. His stubbornness forced him to return to boxing no matter how much his wife wanted him to retire.
Joe Louis fought Max Baer in the mid-30s. Baer wore a giant Star of David on his boxer shorts. It was a sign of the times as Germany’s Nazi Party was ruling Europe.
Germany had its own boxing champion, Maximilian Schmeling, on the forefront of a battle of ideologies, democracy vs. nazism. Schmeling was the World Champ in 1930 and 1932, but the main events came years later when the two fighters, Joe Louis and Maximilian Schmeling, fought in 1936 and 1938 in worldwide events with global appeal. The bouts were much bigger than two men in a ring. The whole world was tuned in and had their radio dials turned up. Schmeling won the first fight in the 12th round. But Louis made a comeback in the second fight, knocking Schmeling out in the very first round. It’s one of the most talked about boxing matches of all time, but this 1953 film did not emphasize the details well.
Although not the biggest or best production, the film gives a little bit of insight into Louis’ stubborn character. Joe Louis had to fight racism when he wasn’t in the ring, but the story in the film sadly does not cover that.
A much better production and story that covers everything in depth is “The Jackie Robinson Story.” Not to be confused by the excellent 2013 film, “42” starring Chadwick Boseman, this is the 1950 earliest telling of Jackie’s story. I didn’t realize until after viewing the film that the lead actor is played by Jackie Robinson himself. The film, directed by Alfred E. Green, also stars the dashing Ruby Dee as Rae Robinson, Jackie’s wife, who would be cast many years later in Spike Lee’s “Do the Right Thing.”
After working as an athletic director for the army, Jackie lands a job playing baseball on an all black touring team called the Black Panthers. The bus stops at a restaurant. Being the rookie, Jackie’s teammates asked him to go inside and ask;
- if they can eat inside
- if they can wash up
- if eating inside is okay, can they get sandwiches
Jackie asks his teammates about contracts. His teammates had a good laugh. The black or colored teams were not supported well, if at all.
After a game, Jackie gets a call from someone representing the Brooklyn Dodgers. Jackie blows off meeting with the guy because he thought it was hoax. Finally, Jackie meets with Branch Rickey. The story of Jackie Robinson is also the story of Branch Rickey. Rickey had been scouting other black baseball players in hopes of adding diversity to Major League Baseball. Rickey’s own career is on the line if this idea goes south.
Rickey explains to Mr. Robinson, “It’ll take a lot of courage.” Rickey states further, “We’re talking about the night for any American to play baseball.” If that wasn’t enough to think about, Rickey informs Jackie, “I want a ball player who’s guts enough ‘not’ to fight back.” Rickey stresses,
Mr. Robinson tells his mother on the phone, “I can be the first negro to play organized baseball, Mom.” His mother advises Jackie to seek the guidance of a priest. Jackie talks to a priest in New York. Jackie then marries Rae. They sit in the back section of a bus. Rae is decked out in her wedding dress. It is one of the many sad images displaying segregation and racism in American society and culture.
Jackie gets hired to play for the Montreal minor team. Every step in his climb to the top has its challenges. He needs to win over not only the players that would be his teammates, but his new coach. More challenges arise when the team shows up to play and they find a sign reading:
In accordance with
City Ordinance No. 11725
relating to prohibition of
sports events between
WHITE and COLORED.
In 1946, at Roosevelt Stadium in Jersey City, New Jersey, 52,000 fans witnessed history as Jackie Robinson, playing for the Montreal Royals, stepped up to home plate against the Jersey City Giants. Regardless of the turnout, his first at bat was a first for him and a first for all people of color. Robinson grounded out, but the rest of his day was filled with excitement, four hits including a three-run home run, four runs batted in, and stolen bases.
As expected, some fans did not take kindly to Jackie’s participation in organized baseball, throwing trash onto the field. A few caucasian men tried to intimidate Jackie after a game. One says,”Hey Jackie, gimme a shine.” Jackie remembered what Branch Rickey told him by not letting it get to him.
The Montreal Royals were thrilled with Robinson. The coach, resistant at first, ended up praising him.
There was talk of bringing Jackie Robinson onto the Major League Brooklyn Dodgers team, but a small group of Dodgers were against it. There was a petition going around for players to sign to rid of Mr. Robinson. Branch Rickey meets with the small group of players. He reminds one of the players about his ethnic Italian background. No one stopped this player’s immigrant parents from working so why should that stop Jackie Robinson from playing.
Jackie Robinson played for the Brooklyn Dodgers and as they say the rest is history. Robinson’s story has been very influential in race relations in sports and American society and culture. As good as “42” is, check out “The Jackie Robinson Story” too. It’s an excellent film!
RIP Chadwick Boseman (“42”) who died at age 43 ironically on Jackie Robinson Day.
Dirty Gertie from Harlem USA
“Dirty Gertie from Harlem USA” is a 1946 film with an all African American cast. Francine Everett plays lead Gertie La Rue with a lot of spunk and spirit. Gertie belongs to a dance troupe that had been exiled from their usual locations because Gertie had a falling out with Al, her ex-boyfriend. Al manages the group.
Other dancers suggest Gertie really had it good with Al, but she expresses a different experience. Gertie very much beats to her own drum. She answers to no one. When another dancer asked about her going out the night before an early rehearsal Gertie says,
Gertie then heads to the nearby bar, Diamond Palace. After seeing a flirting Diamond Joe give Gertie a bracelet, a co-worker comments to Diamond Joe, who runs the establishment, “She’s hard to get and hard to hold.”
Gertie hangs out with two other gentlemen taken by her. She teases by kissing both of them at the end of the night.
A holy man, Mr. Christian, in a light suit, tries to talk Gertie into seeing the Lord and changing her ways. Mr. Christian goes to tell the governor to stop Gertie from performing at the Diamond Palace bar.
Gertie, feeling lost, sees a female medium who sees a bad future for her. She sees a man yelling at her. Gertie also breaks a hand mirror. Perhaps Gertie has brought all of this bad luck on herself.
The ending is very abrupt. Their manager and Gertie’s ex-boyfriend, Al, shows up to shoot her dead with a hand gun. And all Al says, “I killed her because I love her.”
It seems Gertie simply drove everyone mad and got what was coming to her. I would have liked to have learned a bit more about Al and his troubles with Gertie. I am somewhat spoiling it because there really isn’t a complete narrative story here. The interest in this film is the period it was made. It is a decently made film and adds to cinema history.
What Vintage Black Collection would be complete without a some blaxploitation films like “Mean Johnny Sparrows” directed by and starring Fred Williamson and “Lady Cocoa” starring Lola Falana.
You may ask yourself, ‘What is blaxploitation?’ It’s an ethnic sub-genre of exploitation cinema in America during the 1970s originally targeting African American audiences. These films were low-budgeted, independently produced films with subject matter about oppressed black people working for and sticking it to ‘the man,’ the white man. There is often an underlying message of black power and unity.
You could see similarities in both the character of Gertie in “Dirty Gertie from Harlem USA” and Lola Falana’s feisty, fast-talking Cocoa in the 1975 film, “Lady Cocoa.” Cocoa is also having boyfriend issues.
The film starts with Cocoa being released from Nevada State Prison for not testifying against her ex-gangster boyfriend, Eddie. Now she’s taking the opportunity to testify and get out of prison.
Ramsey, an older policeman, gathering Cocoa from her cell, asks her if she’s ready. Cocoa responds,”Cocoa’s always ready.” She enters the unmarked police car with Ramsey. Officer Doug Fuller, in the driver seat, is chosen to watch over her while staying at King’s Castle Hotel & Casino in Lake Tahoe, Nevada. As soon as she sits in the backseat, Cocoa starts running her mouth. She looks over Doug’s quiet demeanor.
The two cops share a look suggesting ‘it’s going to be a long night.’
The group of three arrive at the hotel. Doug checks himself and Cocoa in as ‘newlyweds.’ In the hotel room, Cocoa takes one of her many showers of the day. She’s really taking advantage of the day out of prison. Doug, knowing he’s one of the few black officers around, asks Ramsey why he picked a regular patrolman to look after Cocoa when he could have hired an experienced detective? Ramsey assures Doug he chose him because he’s qualified.
After Ramsey exits, Doug and Cocoa lightly argue about politics. Doug talks about his experience in Vietnam and how he didn’t have choices there, but Cocoa is free and has had choices in America. They argue about people getting locked up for smoking grass. Cocoa loves throwing out random trivia and quotes from French philosophy, popular art and music. “Freedom’s just another word for love.” Janis Joplin.
Cocoa orders a lot of food for room service. When it arrives, Cocoa changes the order to caesar salad because according to her you can’t have a heavy meal after being in the shower. She likes being difficult and Doug, inexperienced in this position, let’s her have her way.
Cocoa decides she wants to go downstairs to buy a new dress. Doug mentions limits. Cocoa says, “Limits my ass.” Doug eventually agrees. As they arrive at the elevator, her salad shows up. Cocoa tells the same clerk he must have misunderstood and cancels order.
Feeling lucky, Cocoa gambles at one of the tables. She wins a few hands. With the money, Doug accompanies her in the clothing store to buy a dress. While Cocoa tries on a dress, Doug is met by a young caucasian man waiting for his wife in the changing room. They have a chat about being newlyweds.
Cocoa purchases some clothes. As she and Doug walk out of the store he realizes she stole a necklace and returns it. They run into the couple from the store whom invite them later for live music and dancing.
Just like the old selling point for movies is showing some skin, Cocoa asks Doug in the hotel room to apply some lotion on her bare back. Doug can’t resist Cocoa. She flirts hard time. They kiss. Doug comes to his senses and separates from her.
Cocoa talks Doug into taking her out to dinner. After all, she bought these nice clothes. When Doug and Cocoa enter the dining room Cocoa recognizes a big African American man, Big Joe, played by none other than ‘Mean’ Joe Greene who played professional football. He sits with another man. They’re not smiling.
The rest of this film gets weird. The young white couple they met earlier sets Cocoa up. The young ‘wife,’ Marie, talks Cocoa into hiding in her hotel room until the bad men are gone. Marie let’s Cocoa enter the hotel room, but closes and locks the door without entering. Cocoa finds herself alone with Eddie, the ex-boyfriend she’s supposedly testifying against the next day. Eddie sweet-talks her. He seems to be feeling her out. Cocoa tells Eddie she was never going to testify against him. She only wanted the day out of prison.
Hitmen shoot inside the hotel room window and kill an unsuspecting female hotel staff worker. Cocoa calls downstairs to find and speak with Officer Doug and Ramsey.
Doug confronts the young white couple as they seem to be working with either Eddie or the hitmen. The couple attempt to run Doug down. After driving through a wing of the casino, their car ends up in a pool. Marie, the white woman from the young couple, turns out to be a man. Doug had a shooting match in the bathroom. Doug realized Marie’s wearing a wig and pulled it off. Doug, pissed, states,
Ramsey and Cocoa find Doug and they drive away. Ramsey notices they’re being followed most likely by the hitmen. Doug tells Ramsey he knows a friend’s boat they can hide in. Ramsey pulls the car over. Doug and Cocoa get out and hide until after the hitmen’s car passes.
Cocoa finds an abandoned car and jumpstarts it. Doug and Cocoa arrive at the docks and find his friend’s boat. The hitmen were tipped off and show up at the docks. While Doug and Cocoa think the coast is clear, they let their guards down, deeply kiss and make out. Clothes come off.
The hitmen shoot into the correct boat, but Doug and Cocoa hopped into the neighboring boat because it has a proper shower. And as you’ve learned, Cocoa likes showering. Doug shoots the hitmen.
Ramsey is found to be a traitor. Lady Cocoa and Doug walk away happily ever after. I guess she testified against her ex-gangster boyfriend. It’s a fun, watchable, popcorn flick. With these low independent movies, there aren’t perfect resolves and ending wrap-ups.
Mean Johnny Barrows
From Mean Joe Greene to “Mean Johnny Barrows,” there’s plenty of blaxploitation films from the 70s. Fred Williamson, like Mean Joe Greene, was also a former NFL football player. Williamson is the lead actor and director of “Mean Johnny Barrows.” The 1975 film, taking place in Los Angeles, California, also features Roddy McDowall as Tony and a ‘special guest star’ role by Elliot Gould.
Williamson plays a down-and-out ex-army vet, discharged for punching a superior. His superior had provoked Williamson’s character, Johnny, with racial insults.
Johnny is arrested after a scuffle in the street. The police officers give Johnny a hard time. They mention ‘splitting his skull wide open.’ Finally, an older officer, their superior, recognizes Johnny as a college football star. They chat about how Johnny is a legend also for winning the Silver Star for taking on the Vietcong in Vietnam. Johnny is released to the streets.
Johnny enters a restaurant seeking work. The mobster owner, Mario Racconi, offers Johnny a hitman job. Johnny refuses. The owner tells him, “See how many meals you can buy with a Silver Star.” Music with lyrics about finding work accompanies Johnny on his request to find a job.
The Racconi family discovers that their rival mob family, the Da Vinces, may be moving drugs through a flower shop. Once again, Mr. Racconi tries to talk Johnny into joining their organization. Johnny informs Mario that he was a soldier when he killed all of those men. Racconi asks Johnny, “What are you now? A man just do what a man must do.” Nancy, a pretty, young woman working for the Racconis, asks Johnny again while walking him out to the street. Johnny tells Nancy to thank Mario.
Johnny starts a crappy job washing bathrooms and cars at a car repair shop. Another song plays on the nose lyrics, “He was a hero.” Johnny’s grouchy, horrible boss only pays him $21…for a month’s work! They get into an argument. And then it’s almost like two police officers patrolling nearby channel this potential scuffle. Sure enough, Johnny gets arrested.
The Racconi Family has a meeting with the Da Vince Family. Mario doesn’t want drugs being sold in the area even if it’s only directed at blacks and minorities. The Da Vinces shoot and kill a bunch of Racconi’s crew.
The Racconi Family bails Johnny out of jail. They offer Johnny $100,000 and some land to kill the entire Da Vince Family. They remind Johnny about how the Da Vinces are selling drugs to blacks. “You’re not only doing me a favor, but helping out your own people.”
Nancy is betraying the Racconis with a secret relationship with Tony Da Vince, played by Roddy McDowall. Tony boards a ship to escape to Mexico. Johnny, secretly onboard, throws Tony off the boat in the middle of nowhere.
Johnny gets back to land. He makes a special delivery by surprising a driver working for the Da Vince Family. Johnny and the driver speed down a driveway and crash into the Da Vince house. Johnny then lights all the drugs on fire. Johnny’s ex-army supervisor shows up out of nowhere to battle him. It’s kind of funny how army soldiers also know some form of karate. It’s not like they teach that in army training. Only movies in the 70s and 80s do that. Johnny eventually kills his ex-army supervisor by throwing his Silver Star at him. TWHACK! Perhaps there’s a message there somewhere. Don’t mess with Johnny Barrows.
Now Johnny ends up running into some hills in Malibu with Nancy. Johnny believes Nancy loves him, but she informs him she was in love with Tony. She shoots Johnny and tells him,
And then like the opening where Johnny is with his army team in Vietnam, trying to avoid the mines, Nancy steps on a mine. Why are there mines in Malibu? This is one of many questions that go unanswered in a blaxploitation film. Blaxploitation popularity filtered into other ethnic audiences.
If you’re a filmmaker seeking exposure and potentially some money for your film, check out filmgrove.com In addition, there are other categories of films in the Film Grove collection; science fiction, horror, Betty Boop cartoons and some episodes of “The Lucy Show.”
What can white people do?
*Originally posted on Aug. 20, 2020 on another site
As a white person, what can I do to contribute to the conversation on racism? I’m already passionate about human rights, civil rights, equal rights and justice for all. Protesters march the streets condemning police brutality, calling for better treatment of black men and women. Just as people of different colors, races and religions marched with raised fists supporting our black brothers and sisters, white people need to continue the conversation on racism.
It’s not enough for black people to discuss racism with other black people. The beauty blossoming from the Black Lives Matter protests is the unity, and not just in America, but around the entire world. The entire world is shouting, “ENOUGH IS ENOUGH!”
Racism is a global sickness. Protesters, wearing protective masks, have often mentioned their concern about COVID-19, but racism has been around for over 400 years. Their fight for racial justice is more important. They would die for this cause as many have for many years. Hate is a virus.
Black men in particular have been treated unfairly. It has been difficult at times in some cases to witness any justice whatsoever. A lot needs to improve. I may not be able talk specifically about racial justice or police reform, but my experience and passion is the movies.
Having discussions about racism in movies is a great way to talk about the issues. Just as there is a lot of racial history in America, there’s a lot of movies about the topic.
“Broken On All Sides”
In 2012, I ran the Social Media Film Festival in Las Vegas, Nevada. The festival was about social media taking on social issues. One documentary film in particular, “Broken On All Sides: Race, Mass Incarceration & New Visions for Criminal Justice in the U.S.” focuses on a book by Michelle Alexander, The New Jim Crow. Michelle Alexander’s book focuses on how the war on drugs and tough on crime policies targeted people of race, specifically black men. If these same black men completed their time, they had very little chances of employment or improving their lives once released back into society.
Prisons became a place of overcrowded cells. Many simply could not afford to bail themselves out and ended up doing more time. “Broken On All Sides” can be viewed on Vimeo. The director, Matthew Pillischer, shared this link and password (broken) to let anyone watch this important documentary.
“I Am Not Your Negro”
In 1979, James Baldwin turned in an unfinished manuscript entitled, “Remember This House.” The book was to be a first hand personal account of three very outspoken black activists; Medgar Evers, Malcom X and Martin Luther King, Jr. Filmmaker Raoul Peck took the unfinished manuscript and turned it into this very intelligent and insightful documentary narrated by Samuel L. Jackson. “I Am Not Your Negro” was nominated for an Oscar at the 2017 Academy Awards. James Baldwin: “The story of the Negro in America is the story of America, and it is not a pretty story.”
“13th,” an Oscar nominated documentary by Ava DuVernay, discusses mass incarceration and racial inequality. The title, ‘13th’ refers to the thirteenth amendment of the United States Constitution to abolish slavery unless it is punishment for a crime. The amendment was passed on January 31, 1865 and made official on December 6, 1865. Michelle Alexander (“Broken On All Sides”) is a subject in this film too.
Another Oscar nominated film by Ava DaVernay is “Selma.” “Selma” (2014) is the narrative story of Martin Luther King, Jr. pursuing a campaign to achieve equal voting rights for black people. King, played wonderfully by David Oyelowo, lead a large march of mostly black people from Selma to Montgomery, Alabama in 1965. President Johnson signed the Voting Rights Act into law. It is an extraordinary and powerful portrayal of a man looking to make peaceful change in the world.
Another movie taking place in the 1960s is “Green Book.” Director Peter Farrelly is a story that tackles both issues of racism and homophobia. Tony Vallelonga, (Viggo Mortensen) a nightclub bouncer, reluctantly takes a job driving a classical pianist, Don Shirley (Mahershala Ali) on a tour of the deep southern states. Their main resource for their journey is The Negro Motorist Green Book, a travel guide for black people looking to be safe in the segregated south. By the end of the film these two strangers become very close. They may have not changed the world, but they changed each other’s world for the better.
“It takes courage to change peoples’ hearts.”
It’s an excellent film! Don Shirley is masterfully portrayed by Mahershala Ali who won an Oscar for an Actor in a Supporting Role. Viggo Mortensen was also nominated for the Leading Role.
Spike Lee – “Do the Right Thing”
As far as I know, whenever Spike Lee is mentioned “Do the Right Thing” in 1989 is the movie that always comes to mind. It is so powerful and important. It takes place on a very hot Summer’s day in a Brooklyn, NY neighborhood where tempers often rise due to racial conflict. Sal, Italian, played by Danny Aiello, owns a pizza parlor where it’s patrons are mostly black and Hispanic. His son, Pino, (JohnTurturo) would love nothing more than to move their pizza place to their Italian neighborhood.
When one of the black customers, Buggin Out (Giancarlo Esposito) looks up at the famous people in pictures on the wall he points out there’s no black people. Sal reminds him there’s only Italians because it’s an Italian establishment. Things get heated throughout the day. Mookie (Spike Lee), Sal’s delivery driver, is friendly with Buggin Out, putting him in a tough spot.
The rest of this amazing cast includes; Ossie Davis, Ruby Dee, Bill Nunn, Samuel L. Jackson, Rosie Perez, Martin Lawrence and John Savage. ‘Fight the Power,” a strong political song by Public Enemy is still very relevant.
Spike Lee has gone on to make numerous films about racism including “Malcolm X,” but my second favorite film of his is his more recent “BlackkKlansman” in 2018. As incredible as it sounds, this movie is based on true events. It’s about, Ron Stallworth, the first black officer hired in the early 1970s at the Colorado Springs, Colorado police department. Stallworth, played by John David Washington, working in the records room, is sick of hearing racial insults from his co-workers. He decides to switch to undercover work in a big way. He simply calls up the grand master of the KKK, David Duke, and state how much he hates blacks, Jews, Mexicans, etc. He forms an instant bond with Duke, but he can’t meet with Duke in person for obvious reasons. So his white, Jewish partner, played by Adam Driver, uses his name to go undercover to infiltrate and expose the KKK.
Steve McQueen’s “12 Years a Slave”
Solomon Northrop, played by Chiwetel Ejiofor, is a black man born free in upstate New York. Northrop, a professional violin player, thought he was meeting with some men about a job opportunity, but was mislead, abducted and sold back into slavery. It is an unbelievably true story showing one man’s struggle and survival for a right to win back the freedom he already had. The amazing cast includes Michael Fassbender, Paul Giamatti, Benedict Cumberbatch, Paul Dano, Brad Pitt, Sarah Paulson, Alfre Woodard, and Lupita Nyong’o. A fellow slave in captivity advises Northop, “If you want to survive, do and say as little as possible.” Northrop answers, “I don’t want to survive. I want to live.”
Jordan Peele’s “Get Out”
This is a horror story about a white girl named Rose Armitage who brings her black boyfriend, Chris Washington, home to meet her parents. Chris, played by Daniel Kaluuya, is concerned about meeting Rose’s white parents and family. Her parents make him feel comfortable. Too comfortable. A party with guests has some strange aspects to it and even stranger characters. Black male and female servants act like they only speak when spoken to. Rose’s mother, played by Catherine Keener, is some sort of psychologist. When Chris mentions to her parents he’s trying to quit smoking Mrs. Armitage offers Chris tea to take him to his ‘sunken place.’ Chris learns the hard way that Rose’s family have bad intentions for him. There are levels of deceit, manipulation and blatant racism throughout this story.
Movies That Matter
In the spirit of my Social Media Film Festival, I started Movies That Matter LA Meetup in 2015 through 2016. It was a movie group with screenings about social issues. The idea of the group was to see a movie and discuss it afterwards. Movies touched on climate change, prescription drugs, anti-semitism and racism. Three films regarding racism during that time were “Loving,” “Hidden Figures” and “3 1/2 Minutes, Ten Bullets.”
“Loving” is based on the true story of Richard Loving, portrayed by Joel Edgerton, who falls in love with a black woman named Mildred (Ruth Negga) in the 1960s. They decide to drive up to Washington DC to get officially married. The couple was arrested for being an interracial marriage in Virginia. Loving began a legal battle that would end with the Supreme Court’s historic 1967 decision to make interracial marriage legal.
“Hidden Figures” is the unbelievable story about three black female mathematicians highly responsible for the success of astronaut John Glenn into orbit. The space race in the 60s between the Soviet Union and the United States was fierce. The times were intense, but even more so for these women as they had to not only prove themselves under duress, they had to battle many racial biases. Simple things like going to the restroom weren’t so simple for black women. They had to walk great distances to relieve themselves. These extremely intelligent women, Katherine G. Johnson, Dorothy Vaughan and Mary W. Jackson, were performed beautifully by Taraji P. Henson, Octavia Spencer and Janelle Monae. It’s a very inspiring story.
On Wednesday, June 24th, 2020, NASA Administrator, Jim Bridenstine announced the agency’s headquarters building in Washington, D.C. to be named after Mary W. Jackson, honoring her as the first African American female engineer at NASA. Additionally, Jackson was posthumously awarded the Congressional Gold Medal in 2019.
Bridenstine stated, “Mary W. Jackson was part of a group of very important women who helped NASA succeed in getting American astronauts into space. Mary never accepted the status quo, she helped break barriers and open opportunities for African Americans and women in the field of engineering and technology. Today, we proudly announce the Mary W. Jackson NASA Headquarters building. It appropriately sits on ‘Hidden Figures Way,’ a reminder that Mary is one of many incredible and talented professionals in NASA’s history who contributed to this agency’s success. Hidden no more, we will continue to recognize the contributions of women, African Americans, and people of all backgrounds who have made NASA’s successful history of exploration possible.”
Ryan Coogler’s “Fruitvale Station”
Sundance winner “Fruitvale Station,” written and directed by a Ryan Coogler (“Black Panther,” “Creed”), is a true story about 22-year old, Oscar Grant, played beautifully by Michael B. Jordan. Grant wakes up on the last day of the year, December 31, 2008, thinking about his future and improving his life. Recently unemployed, he wants to be there more for his four year old daughter, Tatiana, and be a better boyfriend to his live-in girlfriend, Sophina. Grant spends much of the day preparing for his mother’s birthday party. After the party, his mother, Wanda, (Octavia Spencer) talks Grant into to taking the BART train over driving because of all the NYE drivers drunk drinking. The unfortunate incident shows how the police officers shot an unarmed Grant and used excessive force.
Michael B. Jordan is also the lead in “Just Mercy” about a young lawyer, Bryan Stevenson, who, after graduating from Harvard, decides to defend the wrongly accused in Alabama instead of taking potentially more lucrative financial job opportunities. One of his notorious cases involved Walter McMillian, on death row for murdering an eighteen year old girl. The only testimony against McMillian played by Jaime Foxx, is of a criminal with a motive to lie. There are a lot of things hindering Stevenson’s progress in this and other cases. One thing you learn about Stevenson is that he never quits. “It’s never too late for justice.”
“3 1/2 Minutes, 10 Bullets”
The last movie I’ll share is another documentary film, “3 1/2 Minutes, Ten Bullets” directed by Marc Silver. In November 2012, four young black teenagers pulled up to a gas station in a red SUV. Their music was blaring. Another vehicle pulled up with a white couple inside. The woman entered the store. The middle-aged male driver, Michael Dunn, started a shouting match with the boys about their music. Three and a half minutes and ten bullets later, seventeen-year old Jordan Davis was dead.
It’s just one event in an endless string of endless of similar occurrences where both black men and women should have no reason to lose their lives over the smallest things or nothing at all.
Police officers are now wearing body cams. Those cams need to be recording all incidents out of protection for both the officer and the person they’re arresting, displaying exactly what goes down. It’s not that black people haven’t been victimized the last several decades. Arrests are now being recorded by the police themselves, but more importantly THE PEOPLE. The people are recording everything even before anything happens, using their cell phones. They anticipate something happening because their trust of the police has diminished.
After seeing the body cams of the police officers before and during the George Floyd arrest, people stood up. Eight minutes and forty-six seconds was a long time to watch a Minneapolis police officer place a chokehold on Mr. Floyd. Not only did black people stand up, but they started marching. They were not the only people that stood up and started marching. Brown people stood up. Asian people stood up. And white people stood up. By and large, Americans, Europeans, and human beings all over the world felt and shouted “Enough is enough!”
In Summary, here is a list of films in the order presented in this blog about racism people of all ethnic backgrounds can view to discuss the issues further.
- “Broken On All Sides”
- “I Am Not Your Negro”
- “Green Book”
- “Do the Right Thing”
- “12 Years a Slave”
- “Get Out”
- “Hidden Figures”
- “Fruitvale Station”
- “Just Mercy”
- “3 1/2 Minutes, 10 Bullets”
What else can white people do?
Donate & Share Fundraising Campaigns #HateIsAVirus
Where to Donate for Black Lives Matter
Justice for Breonna Taylor Go Fund Me #SayHerName
Official George Floyd Memorial Fund
Ahmaud Arbery Go Fund Me
Official Go Fund Me for Rayshard Brooks
American Civil Liberties Union
Equal Justice Initiative
NASA Resource for “Hidden Figures”
Let’s All Go to the Movies!
It’s Saturday night. You and your significant other plan a night out at the movies. It’s tradition! Most of you plan to see a new release. Cinephiles may be seeing an old movie like “The Godfather” on the big screen. Maybe you’re out with friends, sharing a common interest in a particular movie. A part of the excitement is simply getting cozy in a dark theater with your favorite snacks and drinks. And then take a ‘most excellent adventure’ with the characters on the big screen.
Since Thomas Edison sold a few Vitascope projectors to brothers Mitchell and Moe Mark in Buffalo, New York, movie-goers have been infatuated with seeing movies in the theaters. The Mark brothers called their storefront theater, Vitascope and opened their cinema with seventy-two seats to the public on October 19, 1896.
The State Theater in Washington, Iowa is the oldest operating movie theater in the world, first showing films in 1897. The theater was entered into the Guinness Book of Records on April 21, 2016. It was still operating as of January 1, 2020.
But as you are all unfortunately aware, all movie theaters around the world are closed due to the Covid-19 pandemic. As a society the entire world has looked to the cinema in good times and bad times. Movies help us escape the daily grind as well as to be informed in times of war and conflict. Technology has placed moving pictures and information into the palms of our hands, but our appreciation and excitement for the big screen will never fade away.
In 1902, the first motion picture theater, Tally’s Electric Theater, popped up in a California storefront. One of the first and most popular films was “The Great Train Robbery” in 1903. It was only twelve minutes long, but it captivated imaginations.
John P. Harris and Harry Davis, in 1905, opened a movie theater in a Pittsburgh, Pennsylvania storefront, coining it Nickelodeon for its price of admission, five cents or a nickel. By 1908, thousands of Nickelodeons had opened up across North America.
Before Nickelodeon theaters were all the rage, people flocked to theaters to watch actors perform vaudeville, a variety show and combination of burlesque, comedy, song and dance. One vaudeville veteran, Buster Keaton, was invited by Roscoe “Fatty” Arbuckle to play a small role in a two-reel comedy he was co-starring in and directing, “The Butcher Boy” in 1917. Keaton found his calling!
Buster Keaton went on to direct and star in films he made famous, “The General,” “Steamboat Bill, Jr.,” “Sherlock, Jr.,” “The Navigator,” “Go West,”, “The Scarecrow,” “The Paleface,” “Battling Butler” and “Seven Chances.” His deadpan face and humorous ways made us laugh at him and with him. He did anything for a laugh. He went to great lengths to perform the most incredible and dangerous stunts just for a laugh. He put his own body through a lot of damage. All in the name of entertainment.
Personally, I grew up admiring lots of characters that stemmed from the early days of cinema when everything was in black and white. Other favorites include Abbott & Costello, Laurel & Hardy and The Three Stooges.
I really liked Charlie Chaplin, but didn’t know the extent of his genius until I moved from New York to Los Angeles, California in 1992. And I barely knew of Buster Keaton really until I moved to LA. The Los Angeles County Museum was screening many of Keaton’s films for a few months in early 1994 I believe. Those screenings literally changed my life. I fell in deeper love and appreciation for the cinema and seeing movies on the big screen that I didn’t know was even possible. And I have Buster Keaton to thank for that. I even ended up making a few short silent films with a friend.
Charlie Chaplin was someone I got a kick out of. While Keaton made audiences laugh at his expense, Chaplin’s humor was often politically motivated. “The Great Dictator” is an amazing accomplishment, poking fun at Adolf Hitler while Hitler was still in power. Both comedians took amazing risks in order to reach millions of viewers. Chaplin is known for “The Tramp,” “The Kid,” “The Gold Rush,” “Modern Times” and “City Lights” co-starring Buster Keaton.
Both Keaton and Chaplin along with other film artists such as Harold Lloyd helped kick off the passion that is the cinema. These funny, creative, innovative brilliant minds took us from the days of silent films into ‘Talkies’ an era where sound was added, giving actors a more realistic human feel. Talkies may have ended the silent movie phenomenon at the time, but silent films are still inspiring entertainment today everywhere you look. Keaton’s house falling on top of him, just missing him in “Steamboat Bill, Jr.” has been mimicked dozens of times in film, television and commercials.
Los Angeles also has the Silent Movie Theater on Fairfax Avenue in Hollywood. In the mid-90’s this place screened all sorts of silent films and with live organ accompaniment. It was a really hip thing to attend. There are still events today, but not as authentic as those days in the 90s.
Some of my earliest experiences with the cinema were in Minnesota where I lived as a kid. I recall seeing movies in a drive-in theater. I remember seeing “The Towering Inferno.” And my most endearing memories of cinema involve a gigantic dino-lizard named Godzilla, stomping through Japan and destroying Tokyo. Last year, 2019, The Egyptian Theater in Hollywood, California, did a revival of Godzilla movies and played back-to-back films in 35mm. I…was…in…heaven. Seeing and hearing Godzilla ROAR on the big screen put me right back into my childhood days.
Sidney Patrick Grauman built two of the most elaborate cinema landmarks in Hollywood; the Chinese Theater and the Egyptian Theater. My favorite movie theater to see larger-than-life movies is by far The Chinese Theater. The Chinese Theater opened May 18, 1927. A lot of the elaborate decor is of Chinese nature. And Chinese artisans designed sculptures to enhance the theater’s look and feel. The TCL Chinese Theater, as it’s now called, is absolutely breathtaking! The Egyptian is also quite amazing. Both theaters have very high ceilings like buildings that could have belonged to the Greeks, Romans or even the Egyptians perhaps in between the Pyramids.
When I was about six years old, my father took me to see “Star Wars, A New Hope” in 1977. I was FLOORED! What is this world of rebels, furry characters and dark figures breathing heavily into my face and psyche? I think my Dad, a huge movie fan was taken by it too, because we returned to the movie theaters to see it a second time. I believe we were going to see a different movie the third time, but whatever that movie was was sold out. No matter. I would spend the rest of my life seeing this movie, “The Empire Strikes Back” and “Return of the Jedi” whenever the chance presents itself on the big screen. That’s where these George Lucas movies were intended to be seen and for generations to come with the new Star Wars adventures.
My childhood was also very much influenced by Steven Spielberg. “Close Encounters,” although I didn’t quite understand it until years later, would have a profound affect on me. My sense of wonder about the world and the universe would blossom over the years. Soon it would be “E.T., the Extra-Terrestrial” that warmed my heart. And my sense of adventure was catapulted into existence by “Raiders of the Lost Ark.” All these movies seen first on the big screen is how I’ll always remember and think of them.
In my early adult years, Stanley Kubrick took over my mind. I think he stole it. Kubrick figuratively pulled back my eye-lids like in “A Clockwork Orange” and pulled me in to his worlds. “The Shining” is one of my favorite movies. “2001, A Space Odyssey” continues to affect me. The visual effects are absolutely dream-like and gorgeous. If anything was meant to be seen in 70mm IMAX, it’s “2001.” Much of Kubrick’s films, like Spielberg, were meant to be seen on large screens. Some of Kubrick’s larger-than-life films include “Paths of Glory,” “Spartacus,” “Lolita,” and “Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb.” Another wonderful film worth mentioning is “Full Metal Jacket.” Larger than life characters need to be seen and heard as big as the screens can be made.
The bigger the better! That’s why we need to support the movie theaters when unforeseen events force them to close for a period of time. Los Angeles is especially full of cinema history. And there’s outdoor venues, cemetery screenings, movies in the park, etc. Go see them all, but don’t forget the movie theaters.
When Laemmle Theater chain opens up again I plan to go see a movie to support bringing them back. They’re a smaller movie chain that often shows independent and/or foreign made feature films. Laemmle is just beginning to partner with a streaming company that will offer their movies on demand so they can survive in the meantime. Click here for more info., trailers and more.
AMC Theaters recently started on-demand to coincide with the regular box office theater option. I’ve been a member of their popular AMC Plus Pass which allows you to see three movies a week for $19.95 a month. They’ve suspended the cost for now while the theaters are temporarily closed.
For a few years I had a Meetup group called Movies That Matter LA. Usually I would pick a new release that involved a social issue related story. Often these movies were based on real people and true events. Some movies we saw were “Hidden Figures,” “Miles Ahead” “The Zookeeper’s Wife” and “Snowden.” One of the documentaries we saw was “An Inconvenient Sequel: Truth To Power” about climate change. My group would see the movie and then we would discuss it afterwards at a restaurant or coffee shop.
That’s me, Ross H. Martin, in the photo holding a Golden Ticket from “Willy Wonka & the Chocolate Factory,” one of my favorite movies. This screening with a Q & A took place at the NoHo 7 Laemmle Theater. It was part of a month-long celebration of Gene Wilder films.
Originally called The Pacific Theatres Cinerama Dome, it opened November 7, 1963 with the premiere of “It’s a Mad, Mad, Mad, Mad World” in 70mm. Cinerama is a process that brings three synchronized movie projectors together displaying one-third of the picture on a wide, curved screen. The curved screen is an added touch to make the audience member feel more connected than watching on a plain flat screen.
What’s your chosen candy? I grew up eating anything chocolate. My go-to was Rasinets, Goobers or Nestle Crunch bars. And of course, popcorn. Although I can’t much popcorn anymore as it upsets my stomach. There’s nothing like kicking back and reclining in a stadium-made leather chair with a drink and snacks and watching a new movie release. I actually miss the old days when you could hear the plastic film running through the projector.
Today, projectors run digitally and very quiet. With technology getting better and better, movies are looking better and sounding better. Having worked at Fotokem post-production the past five years, I’ve witnessed the work being done on 70mm films still being produced by the likes of filmmakers Quentin Tarantino (“Once Upon a Time in Hollywood”) and Christopher Nolan. Just last night I watched “The Dark Knight” on my little TV screen. Yes, I need a bigger TV. But I recall first seeing “The Dark Knight” at the famous Arclight Cinemas in the Dome. Over 75 feet tall, the Cinerama Dome, another favorite theater of mine, is as impressive on the outside as it is on the inside.
Today, the Dome seats 800 people. At times, there is a display as a part of the giant white dome. When “Godzilla: King of the Monsters” (2019) was released you could see Godzilla’s face breaking out of the top and light shining from it symbolizing his nuclear energy zapping the heavens. The Arclight Theaters is also very big on quest speakers doing Q & As after screenings.
And after writing about these movie theater icons and theater chains, I may have to attend them all once they open back up for business. I’ll go see a movie at Grauman’s Chinese Theater (TCL Theater). Then maybe I’ll catch a movie at the Dome. I’ll definitely go support Laemmle Theaters.
And now I’m reminded of another great movie theater in Hollywood. The Vista Theater, opened as early as 1923, holding 400 seats. It plays newly released movies as well as classic movies of the past. Last year, at the Vista I saw “Batman: The Movie” (1966). It was the first time I had seen it in a theater and it was wonderful. All the cheesy dialogue and action made me feel all warm and fuzzy.
At Vista the manager or ‘epic manager’ as he is often referred to as, Victor Martinez, is very much like a showman, dressing up at his premieres. He even recruited Wonder Woman.
And finally, with my re-instated AMC Plus Pass, I’ll return to doing what I love most, seeing movies in the theaters.
We in our 40s grew up with so much change at the cinemas. We look forward to bigger and better. Younger people can look forward to those awkward first dates. The movies give them something to break the ice afterwards. Some hand-holding. Sharing popcorn. Maybe a scary horror film makes one lean on the other. These couples will have families and take their children to see the newest animated film and perhaps see them in 3-D. Enjoy!
See you at the movies!
“Blinded By the Light” is a narrative feature film about a Pakistani male teenager trying to assimilate into British society in 1987. His strict father holds his Pakistani roots tightly and doesn’t let anyone else have independent views. Plagued by racism and pressured to become a lawyer or doctor, Javed, played wonderfully by Vivek Kalra, writing since an early age, wants to make a living as a writer. Javed abandons his Pakistani roots after being introduced to the music of Bruce Springsteen.
Why Bruce Springsteen? When Javed asks his new friend, Roops, ‘Who’s the boss?’ Roops responds, “He’s the boss of us all.” An American pop icon. And nothing says American pop culture more than Bruce Springsteen. Although the story takes place in England, Javed’s desire to break free from his surroundings is the American spirit. Writer-Director Gurinder Chadha (“Bend It Like Beckham”) and additional writers, Paul Mayeda Berges, and Sarfraz Manzoor wrote about Manzoor’s experiences growing up Pakistani in England. Chandra was also a ‘Bruce’ fan. Springsteen’s songs were often about hard-working families getting through the tough times.
The film follows a universal message inspired by Bruce Springsteen, ‘No one wins unless everybody wins.’ Bruce treats people equally and lifts them up. In a Rolling Stone Magazine interview, Chadha says, “…we all stand side by side, and it’s not an us or them – we’re all in it together. And that’s what I think the majority of people want to raise their kids to know. That’s what makes us human. And Bruce is all about empathy.”
There are a few scenes that break into song and transform into a musical with dance routines and it totally works. It’s not all Bruce songs. Javed makes a deal with his sister to take her to a club where everyone enters and changes out of their ‘school clothes’ and into sparkling club-wear. A disc jockey plays popular Middle Eastern 80’s music. It shocks Javed to see his sister all decked out. And then he learns she’s seeing this young boy. This becomes another secret these siblings keep from their family. Their older sister gets married through a traditional arrangement between families.
Some liberalities were taken. Apparently, journalist Sarfraz Manzoor did not have a girlfriend at the time. He also never talked back to his father to the extent the character does in the film. These additional elements heighten the stakes and build deeper levels in the story.
The film is also a sad reminder that racism and xenophobia were prevalent in the 80’s, but unfortunately that has not changed today. In the film, it’s mentioned how open and free America is or was. So much hatred has come out of the woodwork in America in the last few years that it’s a bit ironic. This is why more films about people from different backgrounds is vital to America and the world. The more the world sees that we’re all just people trying to find good jobs and live together in peace the less likely we’ll hate each other. Because…’Tramps like us, baby we were born to run.’
The following blog is very old as I attended Comic Con the first and only time in 2008. This article was on my Hubpages site which I’m discontinuing. I thought this might be an interesting addition and timing as Comic Con 2019 is taking place this weekend. And no, I am not attending and miss this experience. I’ll have to plan on going next year.
There’s Batman exiting the parking lot! And there’s the Joker crossing the street. And there’s another Joker. For years I heard about the Comic Convention or Comic Con as they like to call it. Every year seemed to pass by and I’d forget about it when it was time to get tickets. This year almost slipped through my fingers like a villain falling from a great high-rise. About a month before Comic Con it was nearly sold out. I got a ticket for just Sunday. I drove down to San Diego from Los Angeles. It only took 1-and a-half hours to get there.
I thought I might try to catch the “Smallville” panel upstairs, but a staff member told me it was sold out. So, I started walking along the great line of people waiting to get into “Smallville” and got on at the end of the line to think about attending the “Supernatural” panel in the same room afterwards. I mainly got in line to collect my thoughts. Am I going to wait in long lines all day on my first and only day of Comic Con? NO! I decided to check out and spend the whole day downstairs where all the booths are. Somehow I found myself on a long line there too. It wasn’t for a panel with celebrities talking about filmmaking. It wasn’t for a celebrity signing autographs either. The line was for picking up free stuff off of a table. That’s insane! The staff person said the line was about 5 minutes long. Twenty-five minutes later I was more relieved to be done standing in that line than whatever crap I got from the table. I’ll probably end up throwing most of it away. So, long lines leading nowhere is a part of Comic Con.
You’d think by Sunday the convention would thin out a bit. No way! It was wall-to-wall people. Some were dressed as PREDATORS, STORMTROOPERS, GHOSTBUSTERS and EDWARD SCISSORHANDS. The good thing I got about walking up and down the aisles was a warm, fuzzy feeling, a nostalgic heaven of sorts. There were toys I saw that I used to own. There were toys I saw I’d like to own. My budget was tiny, but there was one item I really wanted, a small figurine of a Cylon. I LOVE “BATTLESTAR GALACTICA”! They were sold out of course. All the cool stuff is available early on in the convention. I did purchase a few items; One Batman tee shirt, 2 8x 10 photos of DARTH VADER and INDIANA JONES. The convention is jam- packed with figures of superheroes and villains of all sizes. The HULK and IRON MAN were bigger than life.
Various celebrities and artists were signing autographs throughout Comic Con. The actor that played the guy in the bunny suit in “DONNIE DARKO” was signing autographs. After walking all day long I took a little time to rest up at a table I found luckily. I ate my pretzel and water for 7 dollars and people watched. Well, some of them looked like people. Actually, sitting down, eating my pretzel and people watching was a highlight to my day. I was exhausted. It was nearly 4PM and I wasn’t sure how much more roaming around I could do. I got a tip from a fellow fan that Lou Ferrigno was there. That’s the real INCREDIBLE HULK! There he was with his arms the size of my head. I snapped a few photos. I didn’t want to take too many pictures as he was actually there to sign autographs and take pictures for cash. I currently don’t have $20 for an autographed picture with The Hulk and definitely not for the actor who’s name I don’t know who played that guy who wore the bunny suit. So, if you’re new to Comic Con and want to get the best out of your experience be prepared for
1) Long lines everywhere you go
2) Most wanted toys sell out early
3) Heavy crowds
4) Expensive food
5) Oh, and if you’re driving from LA, what took me 1-and-a-half hours to San Diego took me 3 hours to drive back. I felt like the Hulk. My body was even turning green. RRRRRRRRR!
Comic Con is a serious business. Somewhere the Joker is laughing. “Why so serious?” HA HA HA HA!
The latest horror film by Ari Astar, “Midsommar” is about a handful of Americans that vacation in a secluded Swedish location. A Swedish friend brings these innocent folks to his ‘hometown’ in the middle of nowhere. Dani, played by rising star, Florence Pugh (“Fighting with the Family”), is a lost soul seeking a sense of community and belonging. Her boyfriend, Christian (Jack Reynor) reluctantly told her that he was invited to go to Sweden with his guy friends. You get the feeling it was just going to be the guys venturing to a land full of blondes. Christian is a mixed bag. After Dani lost her parents because her bipolar sister killed them and herself, Christian stayed close to comfort her. His guy friends, young promiscuous college kids, have been telling Christian to dump her sad, depressing ass.
When Dani finds out Christian is leaving in 2 weeks to go away with his buddies without her they argue. Christian ends up inviting Dani to tag along with them on their adventure. Pelle (Vilhelm Blomgren) sold his friends on the concept that his home is a loving, peaceful village full of tranquility. As soon as the group arrives, they run into some of Pelle’s ‘family friends’ whom also brought guests. Immediately, drugs are offered. Dani, reluctant, doesn’t want to ruin the timing of the trip so they’re all tripping at the same time.
After the ‘trip’ they reach the homestead where there are only a few buildings. A large group of people are performing some sort of dance, wearing clothes you might find in Amish country. The group is notified of some rules. One building is where everyone in the village sleeps up until age 36. 36? There are numerous beds and no privacy. Another building is completely off limits. Photography is not permitted.
Things and customs seem a little bit strange, but Dani and Cristian’s friends stay optimistic and positive about their experience. And then things take a horrific turn when a big event takes place early one morning. The group of friends are not told by Pelle or anyone else what was about take place in this ritual. There was a slight hint by an older male member of the group that when you reach a certain age you no longer exist. He made a swiping hand gesture across his neck. This older couple, roughly in their 70’s, walked out to the edge of a cliff a few stories high. One by one they sacrificed themselves, falling face first onto large rocks that split open their faces and crushed their bodies. Dani and Christian and their friends looked on in horror. The actual horror are the grins and smiles on the faces of all the residents of this twisted place.
Soon other guests complain about the festivities. Dani and Cristian are told lies about the other guests and why they’re suddenly missing. Slowly, this vacation unravels the evil that is an agenda Pelle is a part of with the community. The friends learn that all these activities are a part of one big 90-year mysterious celebration. The residents have a lot more in store whether the guests like it or not. I’m not going to give away the ending, but to quote another horror film from 2019, “This is going to end badly.” (‘The Dead Don’t Die’).
It’s obvious to me now why Jordan Peele was so excited about this horror flick. In many ways, “Midsommar” is a lot like “Get Out.” In both films, one person or a group of unsuspecting friends are invited to stay with their friend or significant other’s family. You’ve spent a year or more with this person and think you know everything about them until they invite you to certain death and/or torture.
The writer/director, Ari Astar, seems to have a thing for cults, human noises and nakedness. After seeing “Midsommar” in the theaters I was compelled to rent his first feature horror film, “Hereditary” starring Toni Collette and Gabriel Byrne. In “Hereditary” Collette’s character, Annie, learns that her deceased mother was a part of a group of mediums. Annie’s strange, lonesome, daughter, Charlie, likes making a noise with her tongue and the roof of her mouth. It lets her family members know when she as a ghost is around. The villagers often mimic others’ cries of pain and anguish throughout “Midsommar.”
When it’s known that Annie’s mother in “Hereditary” was part of this cult of mediums, scenes of nakedness pop up.
In “Midsommar,” artwork is everywhere in the village. It seems to share the unfolding story of the people and events that are about to take place. You may even want to see the film a second time to see just how much the images give clues.
Ari Astar also likes to use cinematography as a device. In both films, there’s a point when the stories have been set up and things are about to take a drastic turn…upside down. So, everything must go upside down. And I love how the film gets more and more trippy. The audience too has unknowingly been sipped the mushroom drink. The visual effects are magnificent!
Go witness the trip!
‘The Passion Controversy’ Extended Version
The following article was written in 2004. Although the movie, “The Passion of the Christ” was released in 2004 as well, the issues between Jews, Christians and other faiths unfortuantely continues.
On Wednesday night, March 3rd, 2004, a small discussion group of Jews congregated at Kol Tikvah temple in Woodland Hills to discuss the film, “The Passion of the Christ.” There was an enormous amount of tension stirred up. Only a handful of about twenty-five citizens had seen the film that had only been in theaters a few weeks. One father spoke about his distraught seven-year-old daughter telling him that another young girl teased her in school, calling her a ‘Christ killer.’
Rabbi Steven Jacobs, an advocate for interfaith relations, who lead the discussion at Kol Tikvah, was invited to numerous similar discussion groups since the film’s release. His Catholic friend, Bernard White, invited him to lead a forum at the Church of Blessed Sacrament in Hollywood on March 30th. Jacobs was then invited to speak by Bella Vita retirement community at the Sportsmen’s Lodge in Studio City on April 22 with the Rt. Reverend Alexei Smith and moderated by Sam Rubin from KTLA News. The following reactions and observations are taken from these meetings.
To Jacobs, the cross in the film represented the crucifixion of the Jewish people. The cross conjured up visions for the rabbi of “a million and a half Jewish children hanged. Ninety-percent of Eastern Europe being decimated. Eight out of ten rabbis in Europe slaughtered.” The rabbi said, “Who can reasonably expect that I can see this picture of priests in crowds draped with prayer shawls hovered over by a she-devil without a measure of paranoia?” He said that for two thousand years the Jews have been accused of killing Jesus. Regarding the film, the rabbi said, “In two hours, Christians watched their savior tortured and killed. For the same two hours, Jews are watching Jews arrange the torture and the killing.”
The rabbi said that the Jews in the film, except for Jesus’ disciples, are few and often sadistic. Although the rabbi was very prepared for the story and the characters involved, the depiction of the Jews was still very upsetting to him. Jacobs mentioned his anger to some of his liberal Christian friends. One of his dearest friends, a very sensitive Presbyterian from a church in Atlanta thought it was the most beautiful movie. Jacobs’ Presbyterian friend asked him what upset him so much and added that there’s nothing anti-Semitic about the movie. Rabbi Jacobs said, “Let me tell you what my worry is. It’s not here in the United States. What’s going to happen when it’s shown in Arab countries? He said, ‘I never thought about that.’”
The rabbi expressed his concern of the outcome after playing in countries already so hostile towards Jews. The concern can make Jews paranoid. Jacobs says that it’s not paranoid that the movie is made by one of the world’s superstars depicting Jews as having Christ tortured and killed. The rabbi said, “It is for example difficult to imagine that this film will not be a hit in the anti-Semitic Arab world even though Islam denies crucifixion.”
The rabbi talked about May 2001 when Syria’s dictator, Assaud, greeted Pope John Paul II at the Dimascious Airport. Assaud’s welcoming speech was about the Jews’ betrayal of Christ. Jacobs said that it’s essential that Christians understand that every Jew, no matter what affiliation such as secular, religious, left wing, right wing, fears being killed because of being Jewish. “It is the only universally held sentiment amongst Jews,” said Jacobs.
The rabbi added that what Jews need to understand is that most American Christians watching this film don’t see the Jews as the villains. “Most American Christians, Catholic and Protestant, I believe, believe that a civic or city humanity killed Jesus, not the Jews,” said Jacobs.
Jacobs then mentioned that for most Christians it was God who made Jesus’ crucifixion happen, not the Jews or the Romans. The rabbi said that a book of mentions this and that Christians feel that Christ’s entire purpose was to come to this world and be killed for humanity’s sins. Jacobs said, “Most Christians now regard a Christian who hates Jews for what he believes in some Jews did two thousand years ago. The way you regard such a person is a moral, intellectual and a religious low life. Imagine what Jews would think of a Jew who hated Egyptians after watching the Ten Commandments and you get an idea of how most Christians would regard a Christian who hated Jews after watching The Passion.”
Father Alexei often talked about Nos Aetate, a documented event that will soon be celebrating its 40th Anniversary. It is the Catholic Church’s declaration on its relationship to non-Christian religions. This document revolutionized the way the Catholic Church looks at non-Christian faiths. Alexei mentioned that the Catholic Church rejects nothing that is true and holy in these religions. He says that Nos Aetate further mandates that change in their relationship with these faiths particularly a change in their relationship with Judiasm.
Rabbi Jacobs didn’t like the fact that Jesus’ trial occurred at night. Jewish law prevented trials to take place at night. According to the rabbi, Poncious Pilot comes across as too compassionate. A man in the audience asked about what the Jews are taught about Poncious Piolt. The rabbi said that very little is taught in Hebrew school about Pilot.
The rabbi mentions the Seder, Passover scene and how Jesus expressed his love for humanity. He would have preferred the film to show a little more of the resurrection because, as powerful as the crucifixion is, “the resurrection is what is so powerful about humanity.”
A man in the audience asked a question about the line or sentence asked by Jews, “May the blood be upon our heads and the heads of our children,” taken out in English, but left in Aramaic, Sam Rubin responded by asking the panel if one line mattered. Father Alexei said that it depended on the line. Alexei added that whole quote has been used a lot in anti-Semitic thought. The Father addresses the man in the audience, “I’d like to caution you about something you said. Officially, the line says that the Jews said this. Well, again. We’re trying to teach our people not use that term broadly when it comes to the passion narratives. Not every Jew has originally said that. The leader of the gospel quotes, that text, that same through a leader of the Jews. Not all of the Jews. Does that mean that he is speaking on behalf of all the Jewish people? I don’t think so,” says Father Alexei.
Rabbi Jacobs disliked the portrayal of the crucifixion in the film due to Gibson relying on a source that was an 18th Century anti-Semitic nun. Another problematic element of the film for Jacobs is it’s opening usage of the passage of Isaiah. Jacobs stated how the New Testament is misleading and suggests that Jesus was born to a virgin. The rabbi said that the original Hebrew of that verse uses the word, alma. Alma means a young woman. It does not mean a virgin. The rabbi indicated that when something is translated into a language and then translated into another language, it’s very likely to misinterpret the original meaning. “If you see it in print you believe that. That’s the way history is about. It’s the way you see the Bible, you see the Testament written in a particular kind of way,” said Jacobs. The rabbi said that such sources and scriptures need to be put into perspective. Jacobs mentions that in Jewish tradition it is called mid-Rush. A section is taken and elaborated on to create stories around it. “You have to understand what (gospel) writers did,” said Jacobs. “They weren’t there.” Rabbi Jacobs said that Mel Gibson is entitled to tell his version of the story of Christ.
Rabbi Jacobs talked about how it’s difficult to escape the anti-Semitism that comes out of Gibson’s father’s mouth. Jacobs talked about how Mel Gibson responded in the interview with Diane Sawyer. “I don’t think I’d say ‘Let’s not go there.’ I would say that my father has his own thoughts. I do not share them. I think that that would have gone a long way,” said Jacobs. The rabbi added, “You cannot visit the sins of the parents upon the children. That’s that line from Isaiah. It’s removed. By the way, it’s removed in English about visiting the blood and the children. It’s not removed in the Aramaic. In the countries in which it will be seen that will have an even greater impact.”
The rabbi thinks that Mel is angry with certain people in the Jewish community. Rabbi Jacobs said that he would have waited and would not have had Jews say anything about the movie. Although Gibson didn’t preview the film for Jews, he didn’t let Jews in. Jacob’s criticism of Gibson is that in the movie and about Jesus because Jesus was there to tell the truth. According to Jacobs, Mel Gibson didn’t adhere to that. Gibson didn’t let people, especially Jews, in to the movie for preview screenings.
Father Alexei added that Mel Gibson rejects certain teachings of Vatican II. The Father said that Gibson rejects the teaching of Nos Aetate. Alexei mentioned that Gibson built two chapels in the cities of Agoura and Malibu. Alexei said that he works at the Cardinal’s office and hears the switchboard operators handling calls from people wanting to know the address of these churches. Father Alexei said that these churches are not recognized by the Archdiocese and they inform those callers where their Roman Catholic parish in Malibu, Our Lady of Malibu, is located. Alexei added that his church was not pushing anyone there. “We are in fact by saying that telling them they are not ordained by the Archdiocese. It’s sad that some of our people don’t accept it,” said Alexei. “We pray for everyone, but to these people in particular that they might open themselves up.”
Jacobs added that Gibson’s got to come to terms with his faith and what the differences are about. Rabbi Jacobs believes that people follow certain patterns in their lives. Jacobs’ feeling is that Mel Gibson was troubled and identified strongly with his own guilt and his own pattern. He also believes that the scene in which Gibson’s hand is the actually hand that puts the nails into Jesus has a great deal to do with Gibson’s past. “People can be very critical of me because I follow certain patterns in my life. I’m very involved in political activity because I believe religion and politics go hand in hand. I believe in change. If you believe in God of the status quo, that’s a political position. It kind of relocates religion to being an ambulance chaser, I guess. I really believe in a prosthetic faith. I believe in a good deal of what Jesus had to say of the gospels, of what I know about Jesus,” said the rabbi.
Jacobs thinks that it would have made the movie experience that much better. Jacobs would not have let his Catholic friends stand up and talk about the movie and not make it a Jewish-Christian connotation. Jacobs believes that including Jews earlier on would have prevented the film from appearing to be anti-Semitic and Jews that did get to see preview screenings may not have jumped the anti-Semitic bandwagon.
Sam Rubin asked the Rabbi and the Father if people were better off with or without the movie. “In the beginning I felt very uncomfortable and I wished that it not been produced. I was concerned that part of the fabric that we built together would be desecrated,” said Rabbi Jacobs. Although he seems to remain upset about certain elements in “Passion,” Jacobs realizes the great opportunity for interfaith communities to discuss the film with each other. The rabbi says that it’s easy to talk about truths within your own congregation, but it’s very difficult to discuss truths with other communities of different faiths. “I’m involved in the interfaith world, but I’ve never had so many invitations since the movie has come out. It is a time to speak truths. And for people who have grown up on the gospels or who really don’t understand their Christian religion to understand how Jews feel about this movie. So I’m pleased. I’m pleased now. In the beginning I was not,” says Rabbi Jacobs.
Father Alexei mentions how the film has caused him a great deal of work, but he looks at that work as a “golden opportunity” and that he and the rabbi brought together a large amount of people that wouldn’t have had that opportunity before. Father Alexei says that the opportunity reminds people to learn about other faiths. “What the archdiocese and I share a number of inter-faith dialogues with the Buddists, for example, with the Hindus. Imagine this film was the hot topic in our dialogue sessions. They wanted to know what it was all about. They wanted to know what the controversy was or to raise their awareness of where the Jews are coming from,” says the Father who adds how the Buddhists also wanted to know where the church was coming from.
“My initial anger gave way to something else. There’s a part of me that wants to invite Mel Gibson not in any patronizing kind of way to come and to dialogue with me in the synagogue. Let him do it in the synagogue. I would like that,” said Jacobs.
The rabbi then mentions that this is the positive side of the outcome of the film. “This is an opportunity for us to begin, for Jews to begin, not only to understand our own tradition, but to understand what Christians believe,” says Jacobs.
“I have over these few weeks, emerged in a way in which I wanted to communicate about the goodness of our lives together and even when we differ be able to understand the film that I saw as a Jew and the film that you saw as a Catholic, as a Christian. That’s the way we move ahead in this world,” says Jacobs.
Rabbi reads a memo by another rabbi colleague of his that really inspired him. “I was moved by Jesus’ forgiveness of his tormentors and by the way he saw himself and his fame as fulfilling God’s plan for the world. As a Jew this plan is not what I understand God to desire for the world, but this is a Christian movie, Jesus’ forgiveness and gentleness was profound. There was strength in Jesus’ knowing submission to the word of God.” Rabbi Jacobs interrupted reading the memo to remind the audience that this memo is from a rabbi. “I was also moved by the portrayal of the people closest to him…And they suffered with him as he suffered. They cleaned up his blood. They accompanied him to his crucifixion. After all have left they waited there until he died. Jesus’ suffering repelled them as anyone would be repelled to see their loved one in pain, but they bore him witness. You could feel them wanting to escape or flee. But they would not leave Jesus alone. That was moving to me and that would be moving to anyone.”
Rabbi Jacobs said, “We can learn from each other because ultimately that’s what this film is about. I think the only way we’re going to make it is by understanding one another. There are more of our similarities than our differences.”
Discussion group with Rabbi Jacobs and Father Alexei and Sam Rubin of KTLA at Sportsmen’s Lodge April 22, 2004 – Sponsored by Bella Vita.
Discussion group with Rabbi Jacobs at Blessed Sacrament Church March 31, 2004
Discussion group with Rabbi Jacobs at Kol Tikvah March 3, 2004